例: <pb>
These search results reproduce every example of the use of <pb> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <pb> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.
3 Elements Available in All TEI Documents
3.6 Simple Links and Cross-References
<pb xml:id="p143"/>
...
<pb xml:id="p144"/>
...
<pb xml:id="p263"/>
...
<pb xml:id="p299"/>
...
<pb xml:id="p442"/>
...
...
<pb xml:id="p144"/>
...
<pb xml:id="p263"/>
...
<pb xml:id="p299"/>
...
<pb xml:id="p442"/>
...
<!-- in the text --><pb xml:id="P624"/>
<!-- start of page 624 -->
<!-- in the index -->
<ref target="#P624">624</ref>
<gb n="iii"/>
<pb n="2r"/>
<!-- material from page 2 recto of gathering iii here -->
<pb n="2v"/>
<!-- material from page 2 verso of gathering iii here -->
<pb n="2r"/>
<!-- material from page 2 recto of gathering iii here -->
<pb n="2v"/>
<!-- material from page 2 verso of gathering iii here -->
<p> ... <pb n="145" ed="ed2"/>
<!-- Page 145 in edition "ed2" starts here --> ... <pb n="283" ed="ed1"/>
<!-- Page 283 in edition "ed1" starts here--> ... </p>
<!-- Page 145 in edition "ed2" starts here --> ... <pb n="283" ed="ed1"/>
<!-- Page 283 in edition "ed1" starts here--> ... </p>
<body>
<pb n="1" facs="page1.png"/>
<!-- page1.png contains an image of the page; the text it contains is encoded here -->
<p>
<!-- ... -->
</p>
<pb n="2" facs="page2.png"/>
<!-- similarly, for page 2 -->
<p>
<!-- ... -->
</p>
</body>
<pb n="1" facs="page1.png"/>
<!-- page1.png contains an image of the page; the text it contains is encoded here -->
<p>
<!-- ... -->
</p>
<pb n="2" facs="page2.png"/>
<!-- similarly, for page 2 -->
<p>
<!-- ... -->
</p>
</body>
<pb/>
<cb n="1"/>
<entryFree>
<form>Well</form>, <sense>a Pit to hold Spring-Water</sense>:
<sense>In the Art of <hi rend="italic">War</hi>, a Depth the Miner
sinks into the Ground, to find out and disappoint the Enemies Mines,
or to prepare one</sense>.
</entryFree>
<entryFree>To <form>Welter</form>, <sense>to wallow</sense>, or
<sense>lie groveling</sense>.</entryFree>
<!-- remainder of column -->
<cb n="2"/>
<entryFree>
<form>Wey</form>, <sense>the greatest Measure for dry Things,
containing five Chaldron</sense>.
</entryFree>
<entryFree>
<form>Whale</form>, <sense>the greatest of
Sea-Fishes</sense>.
</entryFree>
<cb n="1"/>
<entryFree>
<form>Well</form>, <sense>a Pit to hold Spring-Water</sense>:
<sense>In the Art of <hi rend="italic">War</hi>, a Depth the Miner
sinks into the Ground, to find out and disappoint the Enemies Mines,
or to prepare one</sense>.
</entryFree>
<entryFree>To <form>Welter</form>, <sense>to wallow</sense>, or
<sense>lie groveling</sense>.</entryFree>
<!-- remainder of column -->
<cb n="2"/>
<entryFree>
<form>Wey</form>, <sense>the greatest Measure for dry Things,
containing five Chaldron</sense>.
</entryFree>
<entryFree>
<form>Whale</form>, <sense>the greatest of
Sea-Fishes</sense>.
</entryFree>
4 Default Text Structure
<p>Galecia one Evening setting alone in her Chamber by a clear Fire,
and a clean Hearth ... reflected on the Providence of our
All-wise and Gracious Creator.... </p>
<p>She was thus ruminating, when a Gentleman enter'd the Room, the
Door being a jar... calling for a Candle, she beg'd a thousand
Pardons, engaged him to sit down, and let her know, what had so long
conceal'd him from her Correspondence.
</p>
<pb n="5"/>
<floatingText>
<body>
<head>The Story of <hi>Captain Manly</hi>
</head>
<p>Dear Galecia, said he, though you partly know the loose, or rather
lewd Life that I led in my Youth; yet I can't forbear relating part of
it to you by way of Abhorrence...
<!-- Captain Manly's story here -->
I had lost and spent all I had in the World; in which I verified the
Old Proverb, That a Rolling Stone never gathers Moss,
</p>
</body>
</floatingText>
<pb n="37"/>
and a clean Hearth ... reflected on the Providence of our
All-wise and Gracious Creator.... </p>
<p>She was thus ruminating, when a Gentleman enter'd the Room, the
Door being a jar... calling for a Candle, she beg'd a thousand
Pardons, engaged him to sit down, and let her know, what had so long
conceal'd him from her Correspondence.
</p>
<pb n="5"/>
<floatingText>
<body>
<head>The Story of <hi>Captain Manly</hi>
</head>
<p>Dear Galecia, said he, though you partly know the loose, or rather
lewd Life that I led in my Youth; yet I can't forbear relating part of
it to you by way of Abhorrence...
<!-- Captain Manly's story here -->
I had lost and spent all I had in the World; in which I verified the
Old Proverb, That a Rolling Stone never gathers Moss,
</p>
</body>
</floatingText>
<pb n="37"/>
<p>The Gentleman having finish'd his Story, Galecia waited on him to
the Stairs-head; and at her return, casting her Eyes on the Table, she
saw lying there an old dirty rumpled Book, and found in it the
following story: </p>
<floatingText>
<body>
<p> IN the time of the Holy War when
Christians from all parts went into the Holy Land to oppose the Turks;
Amongst these there was a certain English Knight...</p>
<!-- rest of story here -->
<p>The King graciously pardoned the Knight; Richard was kindly receiv'd
into his Convent, and all things went on in good order: But from hence
came the Proverb, We must not strike <hi>Robert</hi> for
<hi>Richard.</hi>
</p>
</body>
</floatingText>
<pb n="43"/>
<p>By this time Galecia's Maid brought up her Supper; after which she
cast her Eyes again on the foresaid little Book, where she found the
following Story, which she read through before she went to bed.
</p>
<floatingText>
<body>
<head>The Cause of the Moors Overrunning
<hi>Spain</hi>
</head>
<p>King ———— of Spain at his Death, committed the Government of his
Kingdom to his Brother Don ——— till his little Son should come of
Age ...</p>
<p>Thus the little Story ended, without telling what Misery
befel the King and Kingdom, by the Moors, who over ran the Country for
many Years after. To which, we may well apply the Proverb,
<quote>
<l>Who drives the Devil's Stages,</l>
<l>Deserves the Devil's Wages</l>
</quote>
</p>
</body>
</floatingText>
<p>The reading this Trifle of a Story detained Galecia from her Rest
beyond her usual Hour; for she slept so sound the next Morning, that
she did not rise, till a Lady's Footman came to tell her, that his
Lady and another or two were coming to breakfast with her...
</p>
the Stairs-head; and at her return, casting her Eyes on the Table, she
saw lying there an old dirty rumpled Book, and found in it the
following story: </p>
<floatingText>
<body>
<p> IN the time of the Holy War when
Christians from all parts went into the Holy Land to oppose the Turks;
Amongst these there was a certain English Knight...</p>
<!-- rest of story here -->
<p>The King graciously pardoned the Knight; Richard was kindly receiv'd
into his Convent, and all things went on in good order: But from hence
came the Proverb, We must not strike <hi>Robert</hi> for
<hi>Richard.</hi>
</p>
</body>
</floatingText>
<pb n="43"/>
<p>By this time Galecia's Maid brought up her Supper; after which she
cast her Eyes again on the foresaid little Book, where she found the
following Story, which she read through before she went to bed.
</p>
<floatingText>
<body>
<head>The Cause of the Moors Overrunning
<hi>Spain</hi>
</head>
<p>King ———— of Spain at his Death, committed the Government of his
Kingdom to his Brother Don ——— till his little Son should come of
Age ...</p>
<p>Thus the little Story ended, without telling what Misery
befel the King and Kingdom, by the Moors, who over ran the Country for
many Years after. To which, we may well apply the Proverb,
<quote>
<l>Who drives the Devil's Stages,</l>
<l>Deserves the Devil's Wages</l>
</quote>
</p>
</body>
</floatingText>
<p>The reading this Trifle of a Story detained Galecia from her Rest
beyond her usual Hour; for she slept so sound the next Morning, that
she did not rise, till a Lady's Footman came to tell her, that his
Lady and another or two were coming to breakfast with her...
</p>
<!-- .... --><item n="1">Literature in the Reader: Affective Stylistics
<ref target="#fish-p24">24</ref>
</item>
<!-- .... -->
<div type="chapter">
<head>Literature in the Reader</head>
<pb xml:id="fish-p24"/>
<!-- .... -->
</div>
<!-- .... -->
<pb xml:id="P461"/>
10 Manuscript Description
10.3.5 References to Locations within a Manuscript
<msItem n="1">
<locus target="#f1r #f1v #f2r">ff. 1r-2r</locus>
<author>Ben Jonson</author>
<title>Ode to himself</title>
<rubric rend="italics">
<lb/>
An Ode<lb/> to him selfe.</rubric>
<incipit>Com leaue the loathed stage</incipit>
<explicit>And see his chariot triumph ore his wayne.</explicit>
<bibl>
<name>Beal</name>, <title>Index 1450-1625</title>, JnB 380</bibl>
</msItem>
<!-- within transcription ... -->
<pb xml:id="f1r"/>
<!-- ... -->
<pb xml:id="f1v"/>
<!-- ... -->
<pb xml:id="f2r"/>
<!-- ... -->
<locus target="#f1r #f1v #f2r">ff. 1r-2r</locus>
<author>Ben Jonson</author>
<title>Ode to himself</title>
<rubric rend="italics">
<lb/>
An Ode<lb/> to him selfe.</rubric>
<incipit>Com leaue the loathed stage</incipit>
<explicit>And see his chariot triumph ore his wayne.</explicit>
<bibl>
<name>Beal</name>, <title>Index 1450-1625</title>, JnB 380</bibl>
</msItem>
<!-- within transcription ... -->
<pb xml:id="f1r"/>
<!-- ... -->
<pb xml:id="f1v"/>
<!-- ... -->
<pb xml:id="f2r"/>
<!-- ... -->
<!-- within ms description --><msItem n="1">
<locus target="#F1r #F1v #F2r" from="1r" to="2r">ff. 1r-2r</locus>
<author>Ben Jonson</author>
<title>Ode to himself</title>
<rubric rend="italics"> An Ode<lb/> to him selfe.</rubric>
<incipit>Com leaue the loathed stage</incipit>
<explicit>And see his chariot triumph ore his wayne.</explicit>
<bibl>
<name>Beal</name>, <title>Index 1450-1625</title>, JnB 380</bibl>
</msItem>
<!-- within transcription ... -->
<pb xml:id="F1r"/>
<!-- ... -->
<pb xml:id="F1v"/>
<!-- ... -->
<pb xml:id="F2r"/>
<!-- ... -->
<msItem n="1">
<locus target="#fr_F1r #fr_F1v #fr_F2r">ff. 1r-2r</locus>
<author>Ben Jonson</author>
<title>Ode to himself</title>
<rubric rend="italics"> An Ode<lb/> to him selfe.</rubric>
<incipit>Com leaue the loathed stage</incipit>
<explicit>And see his chariot triumph ore his wayne.</explicit>
<bibl>
<name>Beal</name>, <title>Index 1450-1625</title>, JnB 380</bibl>
</msItem>
<pb xml:id="fr_F1r"/>
<pb xml:id="fr_F1v"/>
<pb xml:id="fr_F2r"/>
<locus target="#fr_F1r #fr_F1v #fr_F2r">ff. 1r-2r</locus>
<author>Ben Jonson</author>
<title>Ode to himself</title>
<rubric rend="italics"> An Ode<lb/> to him selfe.</rubric>
<incipit>Com leaue the loathed stage</incipit>
<explicit>And see his chariot triumph ore his wayne.</explicit>
<bibl>
<name>Beal</name>, <title>Index 1450-1625</title>, JnB 380</bibl>
</msItem>
<pb xml:id="fr_F1r"/>
<pb xml:id="fr_F1v"/>
<pb xml:id="fr_F2r"/>
<locus
target="#zh-tw_P12 #zh-tw_P13 #zh-tw_P14 #zh-tw_P16">fols 12-14, 16r</locus>
<!-- ... -->
<pb xml:id="zh-tw_P12"/>
<pb xml:id="zh-tw_P13"/>
<pb xml:id="zh-tw_P14"/>
<pb xml:id="zh-tw_P15"/>
<pb xml:id="zh-tw_P16"/>
target="#zh-tw_P12 #zh-tw_P13 #zh-tw_P14 #zh-tw_P16">fols 12-14, 16r</locus>
<!-- ... -->
<pb xml:id="zh-tw_P12"/>
<pb xml:id="zh-tw_P13"/>
<pb xml:id="zh-tw_P14"/>
<pb xml:id="zh-tw_P15"/>
<pb xml:id="zh-tw_P16"/>
11 Representation of Primary Sources
<TEI xmlns="http://www.tei-c.org/ns/1.0">
<teiHeader>
<!--...-->
</teiHeader>
<text>
<pb facs="page1.png"/>
<!-- text contained on page 1 is encoded here -->
<pb facs="page2.png"/>
<!-- text contained on page 2 is encoded here -->
</text>
</TEI>
<teiHeader>
<!--...-->
</teiHeader>
<text>
<pb facs="page1.png"/>
<!-- text contained on page 1 is encoded here -->
<pb facs="page2.png"/>
<!-- text contained on page 2 is encoded here -->
</text>
</TEI>
<pb facs="#B49r"/>
<fw>De Geometrie 49</fw>
<head facs="#B49rHead"> DU SON ET ACCORD DES CLOCHES ET <lb/> des alleures des
chevaulx, chariotz & charges, des fontaines:& <lb/> encyclie du monde,
& de la dimension du corps humain.<lb/> Chapitre septiesme</head>
<div n="1">
<p>Le son & accord des cloches pendans en ung mesme <lb/> axe, est faict en
contraires parties.</p>
<p rend="it" facs="#B49rPara2">LEs cloches ont quasi fi<lb/>gures de rondes
pyra<lb/>mides imperfaictes & <lb/> irregulieres: & leur accord se
<lb/> fait par reigle geometrique. Com<lb/>me si les deux cloches C & D
<lb/> sont <w facs="#B49rW457">pendans</w> à ung mesme axe <lb/> ou essieu A B:
je dis que leur ac<lb/>cord se fera en co<ex>n</ex>traires parties<lb/>
co<ex>m</ex>me voyez icy figuré. Car qua<ex>n</ex>d <lb/> lune sera en
hault, laultre declinera embas. Aultrement si elles decli<lb/>nent toutes deux
ensembles en une mesme partie, elles seront discord, <lb/> & sera leur
sonnerie mal plaisante à oyr.<figure facs="#B49rFig1">
<graphic url="Bovelles49r-detail.png"/>
</figure>
</p>
</div>
<fw>De Geometrie 49</fw>
<head facs="#B49rHead"> DU SON ET ACCORD DES CLOCHES ET <lb/> des alleures des
chevaulx, chariotz & charges, des fontaines:& <lb/> encyclie du monde,
& de la dimension du corps humain.<lb/> Chapitre septiesme</head>
<div n="1">
<p>Le son & accord des cloches pendans en ung mesme <lb/> axe, est faict en
contraires parties.</p>
<p rend="it" facs="#B49rPara2">LEs cloches ont quasi fi<lb/>gures de rondes
pyra<lb/>mides imperfaictes & <lb/> irregulieres: & leur accord se
<lb/> fait par reigle geometrique. Com<lb/>me si les deux cloches C & D
<lb/> sont <w facs="#B49rW457">pendans</w> à ung mesme axe <lb/> ou essieu A B:
je dis que leur ac<lb/>cord se fera en co<ex>n</ex>traires parties<lb/>
co<ex>m</ex>me voyez icy figuré. Car qua<ex>n</ex>d <lb/> lune sera en
hault, laultre declinera embas. Aultrement si elles decli<lb/>nent toutes deux
ensembles en une mesme partie, elles seront discord, <lb/> & sera leur
sonnerie mal plaisante à oyr.<figure facs="#B49rFig1">
<graphic url="Bovelles49r-detail.png"/>
</figure>
</p>
</div>
<facsimile>
<surface start="#PB49R">
<graphic url="Bovelles-49r.png"/>
</surface>
</facsimile>
<text>
<body>
<div>
<!-- ... -->
<pb xml:id="PB49R"/>
<fw>De Geometrie 49</fw>
<!-- ... -->
</div>
</body>
</text>
<surface start="#PB49R">
<graphic url="Bovelles-49r.png"/>
</surface>
</facsimile>
<text>
<body>
<div>
<!-- ... -->
<pb xml:id="PB49R"/>
<fw>De Geometrie 49</fw>
<!-- ... -->
</div>
</body>
</text>
11.3.3.1 Damage, Illegibility, and Supplied Text
<p>
<!-- ... -->
<pb n="5r"/>
<damageSpan agent="rubbing" extent="whole leaf" spanTo="#damageEnd"/>
</p>
<p> .... </p>
<p> .... <pb n="5v" xml:id="damageEnd"/>
</p>
<!-- ... -->
<pb n="5r"/>
<damageSpan agent="rubbing" extent="whole leaf" spanTo="#damageEnd"/>
</p>
<p> .... </p>
<p> .... <pb n="5v" xml:id="damageEnd"/>
</p>